Showing posts with label Christian Dior. Show all posts
Showing posts with label Christian Dior. Show all posts

Thursday, January 21, 2010

Pirate John



This video features the wonderful John Galliano in conversation, as he explores the wonderful treasures of the House of Dior. He such a pirate, that John, and I admire him. Here we get to see a small sampling of the fantastic archives of Maison Dior. As John shows each piece, he explains the story behind it and highlights the workmanship in each fantastic garment. I love the contrast, yet similarity, between the original work of Christian Dior, and John's present day creations.

Who is John?

John Galliano - Trustee of the Dior Legacy, is my Fashion Idol. John's talent is monumental. But beyond this, it is his outlook on life and his humanity that I so strongly am drawn to. He has served as mentor to me for as long as I can remember an interest in fashion. His business sense, immense creativity and humlity teach me that I can become a success, while keeping my soul intact. I am forever in his debt.

A cool quote from John : " It's been a long time since I left (college) but I still feel like a pirate that is plundering the globe for beauty and gems of ideas. A memory, a moment, a person is the greatest treasure... but a diamond is a very good second."

Wednesday, August 12, 2009

Wish list: Coffee table books

Every time I go to Chapters, I lust after the following books. To me, they are so much more than just books. These tomes chronicle the lives of two men who have hugely influenced by interest in fashion and represent for me the dream that I will one day achieve. I study these books like text books, and pour over them like a good novel. I dream that they will one day find their way into my possession.

BOOK # 1 - Dior, 60th Anniversary Edition by Assouline


It is MASSIVE, and it probably weighs about 15 lbs. Whenever I flip through it, I have to prop it up against a shelf to support the weight. But it contains every image and detail on the House of Dior. Maison Dior is of course under the cloak of the formidable John Galliano, who I adore. This book commemorates 60 years of this celebrated couture house.

There is a copy of it in the Scott Library at York. I stumbled upon it one day while I was researching a paper. It's hidden up on the 3 rd floor, WAY at the end of long corridor, in the Oversize section. Sometimes when I'm really frustrated with life and in dire need of a good pick-me-up, I go there after class. There, in a little secluded nook, I lay it out on the ground and pour over the images.

I have made a pact with myself. This Christmas, I'm investing in myself and buying this book. Some people invest in good shoes, good furniture, why not good books? That will be $305 well spent.




BOOK # 2 : Valentino by Taschen

Valentino recently retired last year, and the documentary chronicling his career gives us a peak into the life of fashion's last emperor. This book is stunning. Val is one of my major inspirations and to own a piece of his legacy would mean so much to me. What then is $70? Never a trip to the bookstore goes by without a good flip-through. If it goes out of print before I can afford it, I would be heartbroken.

Too often we sit around, hoping and wishing for things to happen. I've got more important financial priorities at the moment, but I will continue to work toward adding these two canons of fashion history to my library.

Photo Credits: Dior Book: Assouline.com; Valentino Book: Taschen.com

Friday, July 24, 2009

Holt Renfrew Challenge #3

CHALLENGE #3:

Choose your favourite style icon from 1920 - 2000 and recreate their signature look.


When I read the challenge mandate, only one person came to mind - John Galliano!

John Galliano is Fashion's Pirate, Trustee of the Dior Legacy & my Mentor. His talent is monumental. But beyond this, it is his outlook on life and his humanity that I am so strongly drawn to. His business sense, immense creativity and humility teach me that you can become a success, while keeping your soul intact. I am forever in his debt.

A cool quote from John :

" It's been a long time since I left (college) but I still feel like a pirate that is plundering the globe for beauty and gems of ideas. A memory, a moment, a person is the greatest treasure... but a diamond is a very good second."

John is known for his outlandish looks. While some designers shyly poke their heads out to the crowd at the end of a runway show, John relishes the opportunity to make his entrance. He has been known for taking to the runway in full hair and makeup, strutting like his models and posing for the camera. What really gets attention are his outfits. Always interestingly-attired, John emerges to his public as character from his collections. One season it was Charlie Chaplin, another it was Madame Butterfly's Colonel Pinkerton. He has been the Spanish bullfighter, the bloody and sweaty boxer, or even the Marquise De Sade. John has explained that this is his way of closing the chapter on the present collection, and creatively clearing his mind for the next. Also, he is following all those beautiful models in their Dior clothes, so he has to make some effort!
Here are a couple of his iconic looks:


John as a vintage sea-explorer, a Spanish Bullfighter, a Colonel Pinkerton, & a street imp

Pinning John down to one look is hard, because he is such a chameleon. But if you look closely, some elements are always present. The fitted vest/ blazer, an theatrical coat/ jacket, and a hat. There must always be a kooky hat!!

I've chosen his look from the Fall/Winter 2005 Couture show, that commemorated the 100th anniversary of the birth of Christian Dior. John served up a genius collection of transparency, classic Dior shapes, and cultural influences.


Let me paint you a picture of his spectacular entrance: As the final girl exited the runway (more like a movie set with lavish props), there was a clash of thunder on the speakers. Smoke filled the room and an actual carriage, drawn by a horse, pulled up. The lights dimmed, and out emerged John looking amazing.


John Galliano after Dior's Fall/Winter 2005 couture show

This look would be relative easy to replicate. I already have the vest. I would need a pair of really funky pants, the hat, the flower pin, and a blond wig. The challenge would be translating his fierceness and energy onto camera. A friend of mine has a trampoline in his backyard, and I was thinking that I could ask him to take the shot as I jumped up and down in the air. Can you imagine the finished snapshot?! Hair flying, fabric flapping, arms and legs extended, all frozen in mid-air. How cool would that look! The only question is, would the wig hold up?

Photo Credits: Style.com

Monday, July 13, 2009

Emily Blunt in Vanity Fair




Some gorgeous pictures of Emily Blunt in couture from Fall/Winter 2009 (two seasons ago). Emily is a truly talented character actress who stole the scene in The Devil Wears Prada. She brings those talents to this shoot, as a bored, mischievous aristocrat. Photographed by Michael Roberts for May's Vanity Fair, she wears two Dior ballgowns by John Galliano, and a blouse and corset by Gaultier Paris.

Meet Madame X

Famed model Dovima in a Balenciaga suit, shot by Richard Avedon

As I have been pouring over images of the Fall Couture collections, I have been thinking of the best way to to evaluate them. Couture is indeed an art form, and deserves to be revered as much as great sculpture and painting. But let's not forget the medium of couture - clothes. You don't wear a painting. You don't put on a piece of sculpture. You wear couture. What more practical way is there to understand this medium, than through the lens of a buyer?! I thought it would be fun to create a fictional character, write a narrative of her life, define her desires, outline her schedules, and in so doing understand, "what would she wear?"

Now, it must be said that are real haute couture (h/c) buyers out there. These women are the well-heeled of the well-heeled. When embroidered dresses from Chanel can crouch close to $90,000 dollars at least, you know that these women do not worry about money. Many times they are the wives of billionaire businessmen, sheiks, or are royalty themselves. These women are largely unknown to the general public because the spotlight generally rests on Hollywood actresses and divas who don h/c to drum up publicity for the brand. However, those actresses must return the frocks the next day, whereas these women own their clothing.



Alex. A, a frequent blogger on Cathy Horyn's blog On The Runway, runs a blog herself called The Polyglot, and is the definitive word (at least that I have found) on the couture customer. She does a great job of researching who these ladies are, and examines their stylish choices.

Alex does an amazing, and I must say - exhaustive job - of defining for us the true essence of couture. I've included some topics and their corresponding links for those curious minds who seek to understand more about h/c :

Why so haute? : She examines the cost breakdown of these extravagant pieces.

High Art? : Can you really compare an embroidered dress to a Monet?

Inside an Haute Couture Garment: An intimate look at the work that goes into the clothes


These are all worth a read. Not a skim, or breeze over, but a 'prop-your-legs-up-and-relax-with a-good-book' read.


For now, let's meet our stylish fashionista. Inspired by the scandalous spirit of John Singer Sargent's portrait, let's call her Madame X.

Well, who is Madame X? She's 37. She is married to a Hong Kong billionaire who is CEO of a family-run construction company that is responsible for much of the construction boom in mainland China. No building above 10 stories goes up in Shanghai without his knowledge. Rumour has it that Monsieur X has ties to a powerful Hong Kong triad and is making a bid for political office next year. (If we're going to invent this ourselves, why not make it interesting?)


Although her husband is well-established, Madame X is a self-made woman. She was born in Venezuela and grew up an only child. Raised by her aristocratic mother (The Doña) who took her to couture shows when she was a child.

Madame X went to private school in South America, and did her MBA in Paris. There she met Mr.X. They have two daughters, aged 8 and 6, and a son, 5. A working mother, she runs the client-negiations arm of a communications firm that is competitive in the global market. A tough, no-nonense negotiator, Madame doesn't take no for an answer.

Now you're wondering? Why all these details? Ahhh! Look closer, and you'll see they tell a story about her habits and style :


1. First, her marriage to a Chinese businessman is reflective of the fact that there is a new emerging couture clientele - the Asian customer. The U.S and the Middle East have long been sources of well-heeled ladies, but now that the Far East is exploding economically, a new client base has been created. Brazil and India are also emerging markets.

2. She's 37. That means she's at a stage in her life where she knows exactly what she likes and what looks good on her. Yet she still has a youthful spirit that loves trying new things.

3. She Venezuelan. That means she is a hot-blooded, passionate South American. She likes bold flavours, bold colours, sensual silhouettes. Madame X is no plain Jane.

4. She comes from an aristocratic family. This serves to show two points. It tells us that Madame X is a woman of pedigree and upbringing. Also, her trips to the shows with her mother at a young age also make reference to couture's past. Many of today's clientele were similarly introduced to high fashion through this very method. Carolina Herrera is one example. She has talked about going to see her first Balenciaga show at a young age.

5. Doña X. The other purpose is to introduce Doña X, a couture customer in her own right. Such older women still make up a large portion of couture's customer base, and bring a list of wants and tastes all their own. We will examine some of her choices as well.

6. Her husband has political aspirations and is a CEO. This means that there will be a full social schedule packed with balls, openings, ribbon-cutting ceremonies, press luncheons, and the like that couture caters so well to. Her husband's bid for office means that the low-cut Gaultier number with the thigh-high slit will not be an option to be worn in public.

7. She has three young children and is a working mother. Therefore she needs a practical wardrobe. There's now way she can run after a 5 year old in a satin corset. This woman needs pants suits, good jackets, and things that she can throw on easily everyday. After all, no working mother I know has 3 hours to get ready in the morning.


Is it all falling into place? What we in effect have just done is create a customer based on marketing analysis of consumer buying habits. It's Marketing 101. Using her as a filter, we will examine the Fall collections together and ask ourselves:

Would Mme. X wear this?